The Fall-Winter 2025 shows offered new takes on corporate dressing and a few nods to the late American filmmaker David Lynch.

From Matières Fécales's sinister debut to Duran Lantink's eye-grabbing dysmorphia, here is what we loved at PFW this season.

The crowds, the commotion, and, of course, the collections of Paris Fashion Week can feel like a blur. How does one celebrate all the best parts of PFW, especially the smaller—but no less thoughtful—details that might go unnoticed?

With that, the timing of Prada’s bullet bra makes sense. While the name sounds violent (another descriptor for the design is the “torpedo bra”), the name came from the shape the bias-cut bra molded the breast into—though, ironically, the design was also popular during World War I and II.

Peplum has done a full 180, shedding its outdated reputation and emerging as one of the coolest silhouettes of the season. This time, it's less corporate and more sculptural with asymmetry, exaggerated proportions, and unexpected textures. Consider it proof that a little extra volume at the waist can feel effortlessly modern.

If Milan softened up with romance and New York leaned into Y2K grunge, Paris countered with sartorial surety — a wardrobe built for the sharp, the serious, and the spectacular. Coats are enormous, tailoring is back and drama is dialed up on every front.

Sculpted skin, tucked hair, and subtle smoky eyes are just a few of the DIY-friendly beauty themes designers sent down the French runways.

How to dress for the harsh realities of the moment has been on the minds of many designers this season. The word “armor” keeps coming up, but although we want to feel protected, isn't it sometimes more productive—and inspiring—to feel uncomfortable?

Inventive formats, artful flourishes, icons revisited and even witchy touches: there was no shortage of creativity in the shoes and bags for this season.

The most anticipated series of shows of the season has come to an end, Paris Fashion Week. And over its course, we’ve seen a heap of style moments unfold before our eyes—for some of us, it’s at the shows themselves,