There’s a lot of psychoanalysis in “Ana, Mon Amour,” the kind that ensures audiences understand the roots of certain behavior even though it’s fairly obvious without the shrink spelling it all out.

We only hurt the ones we love, or at least it seems that seems to be the norm in Cãlin Peter Netzer’s latest film, a cerebral examination of love in decay that appears to be the Romanian New Wave’s ...

Romanian director Călin Peter Netzer's follow-up to "Child's Pose" is a sexually explicit two-hander with a lot on its mind. Like most failed relationships, “Ana, Mon Amour” opens with a sustained ...

Having picked up the Golden Bear with his preceding endeavour Child’s Pose, auteur Calin Peter Netzer returns to the Berlinale with Ana, Mon Amour – and while belonging to the quite remarkable ...

Romanian actors rocked the Berlin Film Festival earlier this year. After savouring the brooding, smouldering performance by Alec Secareanu in British director Francis Lee’s God’s Own Country – the ...

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