After the events shown in A Complete Unknown, Johnny Cash continued his successful musical career and remained friends with Bob Dylan until his death.
The actors who play Joan Baez and Johnny Cash tell IndieWire how they tuned up their singing and guitar-playing skills — and, in Holbrook's case, the secret to playing a good, old-fashioned drunk.
In James Mangold's film A Complete Unknown, we get a cautious and reverent story of a musician who has always sought to transcend the limits imposed upon him.
There isn't anyone like Johnny Cash. No one who could command a honky tonk stage as well as one in the middle of a prison. No one who could be married to a star like June Carter and still be called the Man in Black.
You may know Arianne Phillips as the costume designer for Once Upon A Time in Hollywood, Don’t Worry Darling and A Single Man, films that boast some of the best on-screen wardrobes of the century so far.
One artist is widely considered among the greatest songwriters of all time. Some works of his are just about to become available to the public.
Filmmaker James Mangold tapped production designer François Audouy to create a replica of Dylan's New York. Their first stop? New Jersey.
Five years later, with Chalamet now one of the biggest actors in the world and Bob Dylan still alive and well, the film is out for new audiences to delve into his life, which doesn’t need star power to lead.
Dylan’s voice divides listeners. Some find it ‘mesmeric’ and others have likened it to that of ‘a dog with his leg caught in barbed wire’.
As folk musician Woody Guthrie laid on his deathbed, Bob Dylan handed his gifted harmonica back to Guthrie to signify his departure from the folk genre, as depicted by Timothée Chalamet and Scoot McNairy in the new biopic movie about Dylan,
Somewhere out there is a recording of Billy Bob Thornton and Johnny Cash playing Cash’s 1958 song “I Still Miss Someone” together. In a new interview with The Guardian, Thornton revealed that he collaborated with Cash on the tune, but it has never been released.
TO borrow the title of a Bob Dylan song, it was a case of “one more cup of coffee” for the film director. (Or perhaps not, as you’ll see.) When James Mangold got stuck into making his biopic A