Taylor Mac, whose new play ‘Prosperous Fools’ is loosely inspired by ‘Le Bourgeois gentilhomme,’ and Jeffrey Hatcher, who has a new adaptation of ‘The Imaginary Invalid,’ talk satire, philanthropy, ...

This piece was originally written for and posted on BroadwayWorld. It is republished here with permission. Theatremakers have a “show must go on” spirit. So it’s no surprise that the vast majority of ...

Taylor Mac, whose new play ‘Prosperous Fools’ is loosely inspired by ‘Le Bourgeois gentilhomme,’ and Jeffrey Hatcher, who has a new adaptation of ‘The Imaginary Invalid,’ talk satire, philanthropy, ...

A Broadway show about the making of a historic record in Cuba doesn’t sacrifice the authenticity of its deep cultural context—or its original language. This season on Broadway, Buena Vista Social Club ...

The most recent edition of South Coast Rep’s annual play-development gathering showcased moving works about loss and reupped the theatre’s long-standing commitment to emerging writers. My dad called ...

One of the late composer’s musical theatre successors pays tribute to his elder’s craft, creativity, and unflappable professionalism. The prolific composer Charles Strouse, who won Tonys for Bye Bye ...

In a recent keynote address at the New School, a Russian-born theatremaker stirred graduates with a message of hope in the face of despair. Kruzhilina, a Russian-born, New York-based theatre artist, ...

His plans to trim $11.5 million from the state budget would eviscerate the state’s new Performing Arts Equitable Payroll Fund, designed to help arts employers pay workers a fair wage. This comes on ...

The late playwright of ‘Love! Valour! Compassion!’ gets an official marker in New York City. Indeed, the hourlong presentation in the blocked-off street included an early moment of only-in-New-York ...

Michael Urie and the festival’s co-founders are bringing Pride Plays to the nation’s capital for this year’s 50th anniversary of WorldPride. “When Woolly Mammoth approached us about bringing Pride ...

The business case for a more diverse American theatre is a distraction from our core human and artistic values, which is the ground we must stand on in the fight for DEI. After this long weekend of ...