Elsewhere, "Mufasa" holds strong at second, "Presence" makes its box office debut, and "The Brutalist" expands to maintain its footing in the top 10.
Everything you need to know about all nine of Mel Gibson's children including who their mothers are, what they do for work and if they've worked on films with their father.
President Donald Trump recently named Mel Gibson, Sylvester Stallone, and Jon Voight as "special envoys" to Hollywood.
Despite the turbulence, Mel Gibson’s “Flight Risk” managed to open No. 1 at the box office with a modest $12 million, according to studio estimates Sunday.
Jared Leto is reportedly negotiating with Marvel Studios for a new role in the MCU, exciting fans of the Morbius actor. Reports confirm he will not play Ghost Rider, but speculation surrounds which character he might bring to life in Marvel’s expanding universe. Jared Leto rumored for a Marvel role in MCU Jared Leto is […]
The star of the "Daddy's Home" film franchise says President Donald Trump's visit for wildlife relief is "like daddy arrived" for Californians.
Critics lambasted it and audiences didn’t grade it much better. But despite the turbulence, Mel Gibson’s “Flight Risk” managed to open No. 1 at the box office with a modest $12 million, according to studio estimates Sunday.
Flight Risk,” an action thriller directed by Mel Gibson and starring Mark Wahlberg as a balding, unhinged pilot, landed in first place with $12 million from 3,161 North American theaters in its opening weekend.
Mark Wahlberg stars in the action-thriller, which marks Gibson's first directorial effort in nearly a decade. Elsewhere, Steven Soderbergh's artsy haunted house thriller 'Presence' opened in 1,750 cinemas.
The premise is simple: Michelle Dockery plays U.S. Marshal Madolyn, tasked with transporting wiseass accountant Winston (Topher Grace) on a prop plane from Alaska to Seattle. Daryl (Mark Wahlberg), their shady pilot, is secretly working for the bad guys and tasked with killing Winston before he can testify. That’s it. That’s the setup.
Kelsey Grammer observes a shift towards conservatism in Hollywood, suggesting a gradual softening of the industrys traditionally liberal views. He notes some entertainers are reconsidering their stance and finds conservatism appealing for its values of reason and fairness.